Cinematic character presentation
A source project clip showing the finished Dragon Warrior character in motion, with the pose, costume, weapon silhouette, and presentation language that inform the collectible.
The collector story is the transformation: digital sculpt to real-time character, posed model, restored print detail, full-colour fabrication, assembly, and box production.
Texture maps, sculpt detail, material studies, blockout sheets, and presentation work help explain why the figure deserves an artist-series release instead of generic merch treatment.










These ArtStation project clips show the digital character's presentation, turnaround, and close-up weapon work. The in-hand clips below continue the same proof chain into the full-colour physical figure buyers can compare against the original art.
A source project clip showing the finished Dragon Warrior character in motion, with the pose, costume, weapon silhouette, and presentation language that inform the collectible.
The motion proof helps collectors read the full sculptural silhouette before comparing the digital character to the full-colour printed figure.
A close study of the weapon and surface detail that makes the release feel like an artist collectible rather than a generic print.
Actual in-hand product footage showing the full-colour figurine, base, hair silhouette, layered costume, and weapon assembly.
Shelf footage shows how the figure reads as a real desk-size display collectible, with colour and silhouette visible in a studio setting.
Cropped package footage showing the box structure and Dragon Warrior artwork as presentation context, without treating partner marks as endorsements.
Dragon Warrior began as a finished real-time character with the sculpt, material work, pose, and presentation collectors expect from a serious artist piece.
A ZBrush displacement workflow restored detail in the posed model so the full-colour figure could hold the armor, textiles, weapons, and silhouette at desk scale.
The figure was printed in parts on a Mimaki 3DUJ-2207 full-colour printer, carrying colour and texture directly into the physical object.
The packaging proof used EngView Systems structure, Mimaki flatbed-printed graphics, and CFX cutting so the figure could feel like an edition, not a loose print.
Collectors join the First Edition waitlist, receive the drop alert, and get private access when deposit reservations are ready to open.
The public process set uses selected Anastasia Kukosh making-of sheets and keeps concept source context carefully credited. Official partner claims, logos, quotes, exact batch size, and paid reservations wait for written permission and finalized collector terms.